When “ordinary power systems” stop being enough
Lately, short dramas have shifted from slow-burn growth to instant hierarchy flips. Viewers don’t want to wait for strength to be earned—they want to see the rules break immediately. Everyone Tames Beasts, I Control the Myths! lands perfectly in that mood.
The setup taps into a shared fatigue: a world where everyone follows the same system, yet the system itself is flawed. Watching a protagonist step outside it isn’t just exciting—it feels relieving. The pacing stays aggressive, conflicts arrive early, and the power imbalance is obvious from the start. That clarity is exactly why it works.
Plot is background noise, conflict is the real engine
The world faces collapse because no one can summon truly powerful beasts anymore. Yang Yang appears, and the balance snaps.
What matters isn’t how beast taming works, but why Yang Yang refuses to play by the same limits. While other characters cling to rankings, institutions, and inherited authority, he treats mythic beasts like tools that answer to him, not trophies he must earn.
One quiet but brutal moment says everything: when other nations unveil their “ultimate” beasts, Yang Yang casually summons a Shan Hai myth creature that doesn’t even acknowledge them. No speech. No flex. Just silence—and panic. That contrast is sharper than any fight scene.
If this story happened in real life, it would get uncomfortable fast
Put this into reality and it’s no longer about beasts—it’s about gatekeeping.
Think industries where credentials matter more than ability, or systems built to reward familiarity instead of talent. Yang Yang isn’t loved because he’s strong; he’s feared because he exposes how fragile the existing order is. Institutions don’t collapse because he attacks them, but because he proves they were never absolute to begin with.
That tension—between personal capability and collective rules—feels very close to home.
Beneath the myth beasts, it’s really asking who gets to decide “normal”
The drama never says Yang Yang is morally right. It simply shows what happens when someone stands above every framework meant to control power.
Is he a protector, or just the next unavoidable ruler? When one individual can override nations, does stability improve—or just change hands? Everyone Tames Beasts, I Control the Myths! leaves those questions hanging, letting the spectacle do the arguing instead of speeches.
Why this one is worth finishing, not just sampling
The show understands restraint. It doesn’t overexplain lore, and it trusts visuals and reactions to carry emotion. Each episode adds pressure rather than resolution, and the side characters don’t exist just to be defeated—they represent different responses to losing relevance.
By the end, you’re not waiting to see if Yang Yang wins, but how far the world will bend before it breaks.
So here’s the real question: when absolute power appears, do people adapt—or pretend it doesn’t exist?
Where to watch
If this kind of high-speed fantasy with myth-level domination is your thing, open the netshort app to watch Everyone Tames Beasts, I Control the Myths! in full. While you’re there, you’ll also find plenty of similar short dramas that lean hard into power shifts and emotional payoffs.
